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Three New Classic Cookies
Please Pardon My Language
The Reclamation of Jane Campion’s “In the Cut”
The Pain of Travelling While Palestinian
“La Maison” Is a Frothy Portrait of the Rich and Fashionable
The Banned Irish Writer Who Mined the Pain and Perks of Mid-Century Masculinity
Meredith Monk Finds the Joy and the Necessity of the Collective
Even Mia Farrow and Patti LuPone Can’t Power “The Roommate”
Todd Solondz’s Unfulfilled Desires
The Disquieting Dogmas Behind Three Cat Controversies
“The Featherweight” Deftly Probes the Mores—and the Filmmaking—of a Bygone Era
What Charlotte Shane Learned from Sex Work
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